"There Are No Traffic Lights in November"
"There Are No Traffic Lights in November"
Painting by Acrylic paints on 48" x 36" unprimed canvas. This composition is inspired by the organic shapes of burned canvas. The tranquility of the diffuse, misty washes contrasts with the dynamic diagonals to create movement in stillness. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Lunesta Betrayal"
"Lunesta Betrayal"
Acrylic paints on 54" x 42" unprimed canvas with burned canvas collage. This composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are often incorporated as collage elements in the finished work. The colors used on this painting are muted and fairly neutral. Some of the paint used is metallic and iridescent, which interacts playfully with the light. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Taming Dragons"
"Taming Dragons"
Burned canvas collage on 42" x 54" unprimed canvas. The composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are incorporated as collage elements in the finished work. All of the burned canvas elements are on the back of the piece. Work needs to be displayed in front of a light source. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original work, not a print or reproduction.
"Pouncing on Pomeranian"
"Pouncing on Pomeranian"
Burned canvas collage on 42" x 54" unprimed canvas. The composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are incorporated as collage elements in the finished work. Some of the burned canvas elements are on the back of the piece. Work needs to be displayed in front of a light source. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original work, not a print or reproduction.
"Tremors"
"Tremors"
Oil paints on 42" x 54" primed canvas with mixed media. The brightly colored, textured areas contrast with the flatter, neutral areas. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Arc of Visibility"
"Arc of Visibility"
Acrylic paints on 48" x 36" unprimed canvas with burned canvas collage. This composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are incorporated as collage elements in the finished work. The colors used on this painting are muted and fairly neutral. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Windswept"
"Windswept"
Acrylic paints on 36" x 48" unprimed canvas. Houseplants and their forms inspired this composition. Featuring contrasts between bright and neutral colors, this composition is filled with both highly textured areas and smoother, flatter planes. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
Polar Floes
"Polar Floes"India ink and watercolor pencils on 36" x 48" unprimed canvas. This composition reflects the process of allowing the unpredictability of the ink to determine the result. The process is extremely Zen-like and produces a relaxing piece with subtle tones and forms. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Jellyfish Ballet"
"Jellyfish Ballet"
Acrylic paints on 48" x 36" unprimed canvas. This composition is inspired by the organic shapes of burned canvas. The brightly colored areas contrast with the more neutral colors and expanses of raw canvas. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Oceanic Outback"
"Oceanic Outback"
Acrylic paints on 48" x 36" unprimed canvas with burned canvas collage. This composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are incorporated as collage elements in the finished works. Most of the work features muted, fairly neutral colors, but also has areas of brighter color that include metallic and iridescent paint which interact playfully with the light. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Selenographic"
"Selenographic"
Acrylic paints on 48" x 36" unprimed canvas with burned canvas collage. This composition is inspired by the forms brought about by the controlled burning of canvas fragments, which are incorporated as collage elements in the finished work. The colors used on this painting are neutral and fairly bright. Some of the paint used is metallic and iridescent, which interacts playfully with the light. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.
"Where the Streptococci Lurk"
"Where the Streptococci Lurk"
Acrylic paints on 48" x 36" unprimed canvas. This composition is inspired by the organic shapes of burned canvas. The black cuts dynamically across the various shapes made by the other colors. The canvas is stapled to a wooden stretcher with a wire on the back, ready to be displayed. This is an original painting, not a print or reproduction.